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Publications

The list of selected staff publications may be searched by keyword or author and can be sorted by year.

“The Smithsonian in Cincinnati: Exhibiting Prints at the Ohio Valley Centennial Exposition, 1888,” in Alice M. Cornell, ed. Art as Image: Prints and Promotion in Cincinnati, Ohio (Athens: Ohio University Press, 2001), pp. 131–165.

This essay discusses the Smithsonian’s participation in a national exhibition, and describes the 1000 prints on view in the graphic arts section. It provides an appendix listing all artists and publishers included in the exhibition.

“Print Collecting in the Gilded Age,” Imprint: Journal of the American Historical Print Collectors Society, 29:1 (Spring 2004), pp. 2–13.

This article discusses Americans’ growing interest in prints in the last quarter of the 19th century, including exhibitions, sales, and the formation of collections.

“Prints in the Sartains’ Circle,” Philadelphia’s Cultural Landscape: The Sartain Family Legacy, Katharine Martinez and Page Talbott, eds., (Philadelphia: Temple University Press, 2000), pp. 25–38.

In a volume that presents a number of conference papers, this essay discusses the importance of prints to artists and collectors in Philadelphia in relation to the Sartain family of artists and art educators.

“Slavic and Eastern European-Related Graphic Collections in the Smithsonian’s National Museum of American History" in Slavic & East European Information Resources, vol.11, nos. 2-3 (Apr.-Sept.2010), pp. 226-245.
“Publishers Wave the Flag After ‘Day of Infamy’,” Ephemera News, 21:1 (Fall 2002), pp. 18–23.

This article presents some of the magazine covers produced in 1942 to celebrate the first Fourth of July after Pearl Harbor and the related exhibition at the National Museum of American History.

"Exhibiting A New Icon" with Lonnie Bunch, in Increase and Diffusion: A Smithsonian Web Magazine, 1997.

A discussion of some of the issues faced in exhibiting an icon of the American civil rights movement.

"Sitting for Justice" in Increase and Diffusion: A Smithsonian Web Magazine, 1996.

Learn how a portion of the Woolworth lunch counter from Greensboro, North Carolina, became part of the American civil rights movement collection at the National Museum of American History.

“Curating the Recent Past” in Henderson and Kaeppler, ed. Exhibiting Dilemmas: Issues of Representation at the Smithsonian, Smithsonian Institution Press, 1997.

The article uses the acquisition and exhibition of the Greensboro Woolworth lunch counter as a lens for examining, collecting, and interpreting the recent past. Explores the role of memory; meaning and representation; curatorial roles and obligations; politics; and race in doing public history at the Smithsonian Institution.

"Smithsonian Institute Preserves Jazz Heritage," International Musician: Official Journal of The American Federation of Musicians of The United States and Canada. New York: April 2004.

An essay on the history and importance of the Smithsonian Jazz Oral History Program and other components of the collections and work of the Smithsonian and the National Museum of American History to preserve and promote America's jazz legacy.

Tribute to a Generation: A Salute to the Big Bands of the WWII Era, featuring the Smithsonian Jazz Masterworks Orchestra, producer for the compact disc. Smithsonian Folkways Recordings, May 2004.

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