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Two final prints are created from one set of cyanotypes. The lateral views are larger than the front and rear foreshortenings. Why are the blacksmiths undressed?


image- &qout;Blacksmiths, hammering an anvil, males, pelvis cloth" (Messrs. Redinger and Breen, September 29, 1885)Working proofs for Animal Locomotion Plates 374-375 Cyanotypes on cardboard mountenlarge photo
"Blacksmiths, hammering an anvil, males, pelvis cloth"
(Messrs. Redinger and Breen, September 29, 1885)
Working proofs for Animal Locomotion Plates 374-375
Cyanotypes on cardboard mount

 

image- "Blacksmiths, hammering an anvil"- Final plateenlarge photo
"Blacksmiths, hammering an anvil"
Animal Locomotion Plate 374, 1887
Collotype
 TOP OF PAGE     image- "Blacksmiths, hammering an anvil"- Final plateenlarge photo
"Blacksmiths, hammering an anvil"
Animal Locomotion Plate 375, 1887
Collotype

 

Problems with frame 6 are resolved by omitting the frame from the final print.

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image- "Descending stairs, turning, carrying of water and a broom, woman draped"- working proofs on cardboard mountenlarge photo
"Descending stairs, turning, carrying of water and a broom, woman draped"
(Miss Coleman, September 23, 1885)
Working proofs for Animal Locomotion Plate 148
Cyanotypes on cardboard mount

  

image- "Descending stairs, turning, carrying of water and a broom, woman draped"- Final plateenlarge photo
"Descending stairs, turning, carrying of water and a broom"
Animal Locomotion Plate 148, 1887
Collotype

National Museum of American History